A sign of timeliness is the appearance of this article in the NYT, Sunday, 2/28/10, reporting on the inroads that appropriation techniques from the other arts are making in the craft of literary authorship.
The Free-Appropriation Writer
The author in question is Helene Hegemann, whose novel about the Berlin club scene is a mash-up of unacknowledged quotations from other writers. It is odd that the Times article does not mention the cut-ups of William Burroughs.
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