Showing posts with label Technics. Show all posts
Showing posts with label Technics. Show all posts

Sunday, January 27, 2013

Correlating Triggers

Ubiquitous Sensibility

The electrate apparatus is invented in three registers:  technology, compositional practices, and identity formation.  The saturation of Everyday environments with mobile devices encountering sensor settings is the contribution of technics.  Interactive equipment establishes at the level of technics a feature of the world central to the history of the arts, which materialize and augment a human capacity to be affected by place and event. Marcel Proust's involuntary memory, triggered by the taste of a tea biscuit, or the Wolf Man, whose obsessions were triggered by the site of a maid scrubbing the floor, are two famous examples of embodied triggers, emblematic of this capacity.

Tuesday, March 1, 2011

Commodity Taste

Pep

Retracing the path of event (return to sender), passage and coming to pass.  Why were the trading ships entering warmer waters, where they encountered teredo navalis?  Look around from this moment to notice the current, the economy:  we are in the spice trade.  Pepper plants are native to India, and pepper has been used in Indian cuisine since ancient times.  Pepper was so valuable that it was used as money.  In its decline Rome paid "protection" to the Visigoths in the form of tons of black pepper.  The "spice" trade was in fact primarily the "pepper" trade.  Competition over control of the trade pushed the Portuguese to find a water route (alternative to the sea and land routes controlled by Venice).  The story is familiar from there.

The lesson of this history for fatal strategy is to trace the accident as Nemesis, but not so much in the ancient sense of retribution, but in the more immanent sense of "tribute." We reached for spice, and got dioxin. The accident records our gesture, creating a field of action around Flesh, that is, human embodiment.  People developed a passion for the pungency of pepper.  The account of pepper as a preservative apparently is not accurate.  It was rather flavor that sent the accident, precisely:  taste.  This particular event is exemplary in part because of its association with Kant's Critique of Judgment, and the foundation of electracy on the sense of taste, the sensorium oriented by pleasure-pain.  Check your event for its bit of Flesh (Merleau-Ponty's alternative to "substance").  Here is the passage of pleasure to which wisdom devoted most of its attention.  What is the wisdom of pepper?

Wednesday, February 23, 2011

Teredo Navalis

Boring

The soil in and around the Koppers Superfund site in Gainesville, Florida, is contaminated with dioxin, a byproduct of the wood treatment process performed here beginning in 1911.  The contamination is an accident, not deliberate (not a decision, not a deliberation), an unforeseen consequence following from an historical series of happenings.  It is fatal in the sense of predestined, a gift/poison out of the past, monumental, archival, and also in the sense of lethal, deadly, undermining well-being, assuming that its natural movement down into the acquifer is irreversible.   It so happens that the fetish detail of this event (Ereignis) emerges within the documentary television series, Connections, by James Burke, a series that anticipates and contributes to the discussion of technics.
It was this concern for ships' hulls that was to  lead, within a hundred years, to an invention that is present in almost every modern home.  As the ships sailed more often into tropical waters, their wooden hulls were attacked by a tiny mollusc called teredo navalis, which lived in those waters, and which bored into the hulls with devastating results.  The only protection against the mollusc was a thick layer of a mixture of tar and pitch smeared over the bottom of the ship.  At the beginning of the eighteenth century most of this material came from Scandinavia and the Baltic, from the unit of Sweden and Finland joined under the Swedish crown.  Over the previous two hundred years most of Europe had become increasingly dependent on northern timber, as the forests of England, France, Spain and Portugal had become more and more depleted.  The timber was used to build ships and to produce the tar and pitch.  The best kind of wood for making tar and pitch was pine, which was cooked slowly in pits until the tarry substance ran out of the charring wood, to be collected and distilled and then shipped in barrels. In 1700 the Russians, whose northern ports froze over in winter, decided they needed a warm-water port on the Baltic, and moved against Sweden-Finland.  The war that followed totally disrupted supplies. Fortunately for the English, there was one other source of supply--which  they owned--in the new American colonies (James Burke, Connections).
 Here is a candidate for the fetish detail (in my case) from our Theory instructions, since it was the encounter of wooden ships with the mollusc that caused the swerve (clinamen), the turn (-vert, trope), sending the manufacture of pine tar and pitch to America, and ultimately to Florida.

Friday, January 28, 2011

Tar Story

Natural Pine Tar Pitch

The disaster is an inheritance, a (mis)trust fund supplied through tradition.  Event (Ereignis) refers to this received decision, what is given as gift, a duty to be paid by receiver.  In the event of the Cabot Koppers site in Gainesville, the activity resulting in pollution began in 1911, and the pitch pine tar was used to treat utility poles.  "Pine tar is a byproduct formed as the result of distilling pine wood at high temperatures, forcing it to decompose. Once the wood breaks down, it results in the formation of charcoal and a gum-like substance, tar. When the tar is further distilled, oils are removed from it, creating the byproduct pine tar pitch." The history of this product goes back six centuries, with the original use being the treatment of ship hulls.  Pine tar is an important link in the story of invention tracked in episode seven ("The Long Chain") of Connections (James Burke), and is a good example of technics, referring to the autonomous, interdependent ontologies of technology and humans.  The original source of pine tar (Scandinavian forests) used by the British and other European fleets was cut off due to war, replaced by the colonies as primary supplier, primarily the Southern states.  The evolution of inventions, passing through a series of accidents, mistakes, chance connections traced by Burke passes on from pine tar through coal tar eventually on to plastics.