This diagram sketch suggests a way to map the components of the exercise "Allegory of Prudence" onto some conventional dynamics of narrative semiotics: Roland Barthes's five semiotic codes (see S/Z's reading of Balzac's short story), and a part of Jacques Lacan's schema of temporality (taken as representative of the trope of metalepsis).
The version of the allegory expressed in Chapter 13 of Avatar Emergency (AE), provides an instance. The first two codes account for Ulmer walking along the shore of the ocean at Ponte Vedra Beach (Action Code, syntagmatic axis), and encountering a sand castle that he recognizes as built by his granddaughter (Semic code, paradigmatic axis). This sand castle (prop) is in turn organized by a higher paradigmatic code -- the Cultural Code -- that is the source of readymade associations accumulated historically and preserved in various documents (the commonplace of tides washing away sand castles, evoking the ephemerality and fragility of human effort). Meanwhile, the action of the syntagmatic is also organized in turn by a higher code -- the Hermeneutic code of enigmas: actions are arranged to create and sustain interest, to pose engimas and delays of suspense. This narrative form is supplied in Ulmer's relay by the story of Damascius, the last diadoch (successor) of the Academy in Athens, and his exile in Persia late in life.
Ulmer in Spain, 1966 |
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